For anyone who has dreamed of rock 'n' roll stardom, complacently interference away on "Guitar Hero" or rocked out at a concert, "It Might Get Loud" offers a thrilling personal tour of three exceptional electric guitarists' careers that's as well collection to musicians and rock enthusiasts alike.
Sony Pictures Classics attend this beyond measure entertaining music docu, directed by Oscar-winning filmmaker Davis Guggenheim, at last year's Toronto film festival and smartly was picture it up.
With Guggenheim ("An Inconvenient Truth") at the helm and the contribution of Led Zeppelin's Jimmy Page, U2's the Edge and Jack White of the narrator and the White Stripes, the audience for "Loud" could rival turnout for a U2 concert tour, auguring a spirited theatrical release as fans raise their lighters for the film's Friday (August 14) release. (The documentary screened stateside in June at the Los Angeles Film Festival.)
Guggenheim centers the film on "The Summit," an unscripted Los Angeles soundstage jam session that brings the three generations of guitarists together for the first time, then branches off with personal profiles of each musician and their individual paths to expend their signature styles.
Although he's the best known among the trio, Page also is the most private, having endured decades of scrutiny as a member of the Yardbirds and Led Zeppelin. So his receptiveness to the project is all the more remarkable as he invites the filmmakers into his London home to listen to his record collection and film him strumming riffs from "Ramble On" in his studio. A side trip to the country house where the legendary "Stairway to Heaven"-centered Led Zeppelin IV album was recorded prompts Page to pick up his mandolin for an impromptu version of "The Battle of Evermore."
Guggenheim strategically minimizes any recapping of Led Zeppelin's already well-documented history, focusing instead on Page's playfully engaging discussion of his largely self-taught trademark hard-rock guitar techniques, musical act upon and career as a young studio musician before joining the Yardbirds.
The Edge exactly goes back to the Dublin high school where the U2 quartet formed as teenagers to highlight his musical journey, while a visit to his riverside studio reveals his unique, effects laden guitar techniques and command of audio technology.
A trip to White's Tennessee home base reveals the origins of his minimalist, roots-oriented rock and blues style as he leads the filmmakers through his development as a respected musician and producer.
These chapterlike interviews are skillfully interwoven with remarkable archival materials and cut together with generous live concert footage featuring U2, Led Zeppelin, the White Stripes and the Raconteurs. The film's highlight by far is "The Summit," when the three musicians gather to swap stories and guitar licks as Guggenheim's seven HD cameras capture stirring moments of artistic spontaneity.
While the abundance of musical background and performers clips greatly enriches the film, more detail on the musicians' life stories and formative experiences would have measurable informed their choice of musical styles.
Conceived by producer and Legendary Pictures CEO Thomas Tull, who recruited Guggenheim to direct, "Loud" exhibits a level of detailed narrative crafting similar to "An Inconvenient Truth," though the film's free-flowing structure, held together by precise and revealing editing, allows this music doc to organically unveil an intimate portrait of artists at work.
Sony Pictures Classics attend this beyond measure entertaining music docu, directed by Oscar-winning filmmaker Davis Guggenheim, at last year's Toronto film festival and smartly was picture it up.
With Guggenheim ("An Inconvenient Truth") at the helm and the contribution of Led Zeppelin's Jimmy Page, U2's the Edge and Jack White of the narrator and the White Stripes, the audience for "Loud" could rival turnout for a U2 concert tour, auguring a spirited theatrical release as fans raise their lighters for the film's Friday (August 14) release. (The documentary screened stateside in June at the Los Angeles Film Festival.)
Guggenheim centers the film on "The Summit," an unscripted Los Angeles soundstage jam session that brings the three generations of guitarists together for the first time, then branches off with personal profiles of each musician and their individual paths to expend their signature styles.
Although he's the best known among the trio, Page also is the most private, having endured decades of scrutiny as a member of the Yardbirds and Led Zeppelin. So his receptiveness to the project is all the more remarkable as he invites the filmmakers into his London home to listen to his record collection and film him strumming riffs from "Ramble On" in his studio. A side trip to the country house where the legendary "Stairway to Heaven"-centered Led Zeppelin IV album was recorded prompts Page to pick up his mandolin for an impromptu version of "The Battle of Evermore."
Guggenheim strategically minimizes any recapping of Led Zeppelin's already well-documented history, focusing instead on Page's playfully engaging discussion of his largely self-taught trademark hard-rock guitar techniques, musical act upon and career as a young studio musician before joining the Yardbirds.
The Edge exactly goes back to the Dublin high school where the U2 quartet formed as teenagers to highlight his musical journey, while a visit to his riverside studio reveals his unique, effects laden guitar techniques and command of audio technology.
A trip to White's Tennessee home base reveals the origins of his minimalist, roots-oriented rock and blues style as he leads the filmmakers through his development as a respected musician and producer.
These chapterlike interviews are skillfully interwoven with remarkable archival materials and cut together with generous live concert footage featuring U2, Led Zeppelin, the White Stripes and the Raconteurs. The film's highlight by far is "The Summit," when the three musicians gather to swap stories and guitar licks as Guggenheim's seven HD cameras capture stirring moments of artistic spontaneity.
While the abundance of musical background and performers clips greatly enriches the film, more detail on the musicians' life stories and formative experiences would have measurable informed their choice of musical styles.
Conceived by producer and Legendary Pictures CEO Thomas Tull, who recruited Guggenheim to direct, "Loud" exhibits a level of detailed narrative crafting similar to "An Inconvenient Truth," though the film's free-flowing structure, held together by precise and revealing editing, allows this music doc to organically unveil an intimate portrait of artists at work.
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